"Back in the Studio — Commissions Open & New Work Coming Soon."

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  • The Edge is the Art

    Encaustic is finished on wood cradle boards — no frame required. The sides are finished as an extension and completion of the work — deep char using Shou Sugi Ban technique, warm caramel char and wax, or sealed in the pigmented encaustic medium. The material decides.

    Alpaca and wool boucle pillow detail picture in a neutral tone, inspiration for the "Remaining Light" encaustic art piece

    Alpaca Boucle Pillow

    Alpaca and wool boucle, woven in Belgium. The texture and depth of this fabric was the starting point for "Remaining Light" - the encaustic work it's paired with.

    Close-up of encaustic wax surface, Remaining Light, pale ivory and grey with layered pigment and resin, ADALÉI Studio

    The Art of Creating with Fire

    "Remaining Light" — The ancient technique of fusing dry pigment, damar resin, and wax to wood - worked with blowtorch, hot metal tools, and heat gun to melt and build layers of color and texture.  A modern interpretation of encaustic painting . 

    Close-up of two encaustic wax panels in ivory, gold, brown, and grey neutral tones, layered pigment and resin, ADALÉI Studio

    Commissioned Work

    If you love encaustic paintings and want a commissioned piece for your own space, ADALÉI offers original work for clients.  Share your fabric, paint colors, a wallpaper, or even a picture as inpiration.   Commissions are complete in 6 to 8 weeks.  

    Close-up of chocolate brown shearling pillow cover, dense curly wool texture, ADALÉI original textile

    Pairings

    Encaustic work and studio textiles, conceived in the same studio from the same palette. Each pairing is made to live together in a space — not coordinated, but connected during design.